A blog dedicated to movie reviews, offering in-depth analyses of new and classic films, with a focus on animated and family-friendly movies to help you choose the best cinematic experiences.
Walt Disney Animation’s Moana 2 continues to dominate the box office, earning a staggering $28 million on Thanksgiving Day alone. The animated sequel has brought new life to the movie industry, which has seen few blockbuster successes in recent years, according to a report by Variety.
The film is projected to rake in at least $175 million during the five-day holiday week, surpassing previous records set by Frozen II in 2019 ($125 million) and The Hunger Games: Catching Fire in 2013 ($109 million). Industry insiders suggest Moana 2 could achieve even greater heights, potentially exceeding $200 million domestically by the end of its first five days.
So far, the movie has earned $85.5 million in the U.S. alone, already breaking records for Thanksgiving releases. It has outshined Frozen II, which grossed $15 million during the same holiday period five years ago.
For those eager to watch the magic unfold, you can enjoy Moana 2 for free
“Venom: The Last Dance” had a slower debut than previous entries, pulling in $22 million from 4,131 theaters across North America on its opening day, including preview screenings. This is a notable drop from the first-day earnings of both the original Venom (2018), which opened with $32 million, and its 2021 sequel Let There Be Carnage, which raked in $37 million. The film is projected to miss its initial weekend goal of approximately $65 million, indicating a waning domestic interest in the franchise.
Despite the domestic downturn, The Last Dance remains one of the biggest openers since September's Beetlejuice Beetlejuice. Sony, which co-financed the film with TSG, is relying on international markets to lift overall revenue, as has been the case with previous Venom films. The studio anticipates that the new release will slightly exceed the international opening of Let There Be Carnage. Previous Venom films have performed exceptionally well overseas, with the original earning $642 million outside North America, and the second installment pulling in a solid $293 million.
With a streamlined budget of $120 million, The Last Dance is more modestly produced compared to other superhero films, yet international audiences remain crucial to its financial success. Early reviews have been unfavorable, and the film received a "B-" grade on Cinemascore—indicating that audiences are less enthusiastic this time around. Both prior entries received higher Cinemascore ratings of “B+.”
Changing Trends in Comic Book Films
The recent struggles of comic book adaptations to attract blockbuster crowds reflect shifting audience interests. While Disney's Deadpool & Wolverine remains an outlier, most superhero movies have seen a decline in box office traction. Sony itself faced a disappointing turnout earlier this year with Madame Web, a Spider-Man spinoff that struggled to reach $100 million globally. Although star Tom Hardy has hinted at possible future “symbiote stories,” The Last Dance could mark the franchise’s last outing for some time if box office numbers fail to meet expectations.
Directed by Kelly Marcel, who also wrote the previous two films, The Last Dance follows Eddie Brock (Tom Hardy) and his chaotic partnership with the symbiote Venom. The cast includes several new faces, such as Juno Temple, Chiwetel Ejiofor, Rhys Ifans, and Cristo Fernandez, alongside returning actor Stephen Graham.
"Conclave" and Other Contenders
Elsewhere at the box office, Conclave, a thriller from Focus Features set in the Vatican, is performing well in its opening weekend. Directed by Edward Berger, the film earned $2.5 million on its first day from 1,753 theaters. Conclave drew a predominantly older audience, with 77% of ticket buyers aged 35 and above. The film received positive reviews and a “B+” Cinemascore, which may support its long-term performance, especially given the buzz surrounding Ralph Fiennes and Isabella Rossellini’s performances.
Paramount’s Smile 2 secured the second-place slot, projecting $10.3 million for its second weekend, a 55% drop from its premiere but solid considering its modest $28 million budget. DreamWorks Animation's The Wild Robot is also holding strong in the top five, anticipating $6.2 million this weekend, bringing its domestic total past $110 million.
A24’s We Live in Time, starring Florence Pugh and Andrew Garfield, is seeing positive growth, expecting a $5 million weekend, marking a 20% increase from last week. Meanwhile, Terrifier 3, from Cineverse, is projected to close the weekend with $4.5 million, bringing its total to over $44 million, tripling the combined grosses of its predecessors.
